The chapbook Cinquainicity: The Adelaide Crapsey Project is on display all this month at Poets House in NYC. This chapbook, published by Palettes & Quills, features five series of linked cinquains as the form was defined by Adelaide Crapsey. M.J. Iuppa created and organized the project which includes 28 poets.
The form is syllabically driven: first line -2 syllables, second line -4 syllables, third line -6 syllables, fourth line -8 syllables, last line -2 syllables. Each poet began a cinquain with the last line of the cinquain written by the preceding poet.
I had the privilege of being the captain of the chain with poets Nici Knebel, Francis Bragan Richman, Jan Wenk Cedras, Cynthia Iannaconne, and John Roche.
For information on purchasing this chapbook visit www.palettesnquills.com.
Tuesday, April 21, 2009
Saturday, April 18, 2009
Publication in Blueline
My poem "Girl with Laurel" appears in the latest issue of Blueline, published by SUNY Potsdam. Joining me in issue XXX are fine poets M.J. Iuppa, Adam Wilcox, and Karla Linn Merrifield. As of this writing, the new issue is not listed on the Blueline web site. Check back with the site for ordering details.
Monday, April 06, 2009
Dwain Wilder Reading Thursday
Dwain Wilder will be the featured reader this Thursday, April 9 at the montlhy Just Poets reading series and open mic. Join us in the Community Room at the Pittsford location at 7:00pm and bring your own work to read during the open mic that follows.
Dwain's bio: Dwain, a native of a small town outside Dallas, has lived in Rochester, NY since 1970 and now lives with his wife and niece, and dogs, in a quaint, untidy old farmhouse. He makes his livelihood as a luthier (a builder of stringed musical instruments). Dwain’s Appalachian dulcimers are held in high regard, both here and abroad, where he regularly receives commissions from Europe, Great Britain and the Far East. Dwain also teaches dulcimer building classes at the Northeast Dulcimer Symposium in Blue Mountain Lake in the Adirondacks, as well as in his studio.
Dwain also writes poetry and essays on Zen. He has published poems in various small poetry periodicals and collections but not extensively -- due to having no taste for rejection slips and a lack of industry. He has published a chapbook, “Under the Only Moon,” under the Kinko/FedEx imprimatur. And he also composes and inscribes a short dedicatory verse in each dulcimer he sells (which, one might say, makes him the world’s highest paid poet, on a per line basis).
Dwain's bio: Dwain, a native of a small town outside Dallas, has lived in Rochester, NY since 1970 and now lives with his wife and niece, and dogs, in a quaint, untidy old farmhouse. He makes his livelihood as a luthier (a builder of stringed musical instruments). Dwain’s Appalachian dulcimers are held in high regard, both here and abroad, where he regularly receives commissions from Europe, Great Britain and the Far East. Dwain also teaches dulcimer building classes at the Northeast Dulcimer Symposium in Blue Mountain Lake in the Adirondacks, as well as in his studio.
Dwain also writes poetry and essays on Zen. He has published poems in various small poetry periodicals and collections but not extensively -- due to having no taste for rejection slips and a lack of industry. He has published a chapbook, “Under the Only Moon,” under the Kinko/FedEx imprimatur. And he also composes and inscribes a short dedicatory verse in each dulcimer he sells (which, one might say, makes him the world’s highest paid poet, on a per line basis).
Thursday, March 26, 2009
World Premiere of "Housewife"
I am delighted by Dr. Judith Lang Zaimont's interpretation of my poem "Housewife" which served as the textual basis for her composition of the same name. The piece was performed at the Eastman School of Music yesterday as part of the Women in Music Festival, organized by Eastman faculty member Dr. Sylvie Beaudette. Susan Conkling directed the Eastman Women's Chorus in the performance which was written for piano and chorus.
I am also grateful to Dr. Beaudette for inviting me to send poetry for this commissioned project and to Dr. Conkling for her assistance in the choice of the poem but also for her superb direction of the premiere.
For more information about Dr. Zaimont, visit her web site www.jzaimont.com.
I am also grateful to Dr. Beaudette for inviting me to send poetry for this commissioned project and to Dr. Conkling for her assistance in the choice of the poem but also for her superb direction of the premiere.
For more information about Dr. Zaimont, visit her web site www.jzaimont.com.
Saturday, March 21, 2009
"Housewife" Premieres Wednesday
Please join me Wednesday, March 25 at noon in the Grand Hallway at the Eastman School of Music for the world premiere of "Housewife," a libretto composed by Judith Zaimont for the Women in Music Festival. My poem "Housewife" was selected by Zaimont to serve as the textual basis for this segment of her larger work, "Life Cycle."
Saturday, March 07, 2009
Women in Music Festival
An interactive concert, two silent film shorts, readings by local poets of their works, premieres of new compositions, and performances in the community are just some of the events highlighting the fifth annual Women in Music Festival at the Eastman School of Music. Running from Monday, March 23, through Friday, March 27, the festival celebrates the many achievements and contributions of women in all aspects of music, including composition, performance, teaching, and scholarship.
The public is invited to attend these free performances and experience the amazing works by women that are becoming standards in the repertoire or are heard for the very first time. Judith Lang Zaimont will be this year's composer-in residence. Her music, which includes some 100 symphonic, chamber opera, voice, and solo instrumental compositions, is internationally acclaimed for its expressive strength and dynamism. Zaimont also has authored numerous articles and is the editor of the three-volume series The Musical Woman: An International Perspective. Her composition "Housewife," commissioned by Eastman's Hanson Institute for American Music and based on a text by local poet Claudia M. Stanek, will receive its premiere by the Eastman Women's Chorus during a concert of her work at noon on Wednesday, March 25, in the Eastman School's Main Hall. In addition, Zaimont's "Sacred Service for the Sabbath Evening" will be performed by singers from Eastman School and Temple B'rith Kodesh at 7 p.m. Friday, March 27, at the Temple.
The festival features five noontime concerts of works written by women in a broad range of musical styles, with each piece being introduced by a local woman poet reading from her work. Scheduled to appear are poets Donna Marbach, Karla Lynn Merrifield, Wanda Schubmehl, Kathleen Van Schaick, and Andrea Weinstein. The noontime concert on Thursday, March 26, in Eastman's Schmitt Organ Recital Hall will include two silent shorts by German filmmaker Lotte Reiniger, which will be screened to music written for a duet consisting of saxophone and vibraphone. The concert will end in Christ Church (Episcopal) where the work "Pent," written by Eastman composition student Elizabeth Kelly for the Craighead-Saunders organ, will receive its premiere.
Also on Thursday, March 26, pianist Kevin Nitsch and mixed media artist Kathleen Nicastro will present a concert at 3:30 p.m. in the Miller Center Atrium as part of their interactive "Labyrinth of Sound and Light" series. Titled "Water's Edge: 200 Years of Women Composers," the event also features soprano Amy Cochrane and pianist Beverley Smoker. Individuals will be able to wander into the Atrium to listen, watch, and move around the artists to enhance the participatory experience; writing and drawing materials will be available so that audience members can express their own thoughts or impressions.
Besides the performance of Zaimont's "Sacred Service for the Sabbath Evening," events on the evening of Friday, March 27, include a recital by Eastman alumna and flutist Jennifer Oh-Brown and the Chicago New Arts Trio at 7 p.m. at the University of Rochester's Interfaith Chapel.
A complete schedule of events, which are free and open to the public, can be found online at www.esm.rochester.edu/wmf/. In addition, the weekly mini-recitals on the Italian Baroque organ at the Memorial Art Gallery at 1 and 3 p.m. on Sunday, March 22, and Sunday March 29, will be devoted to women composers.
The Eastman School's Women in Music Festival was launched in 2005. Sylvie Beaudette, assistant professor of chamber music and accompanying is the founding director of the festival.The 2009 festival is sponsored by The Hanson Institute for American Music at the Eastman School; the Susan B. Anthony Institute for Gender & Women¹s Studies and the Department of Music in the College of the University of Rochester; the departments of Chamber Music, Composition, Humanities, Piano, Voice, Winds, Brass & Percussion and the Eastman All-Events Committee of the Eastman School of Music; and the Office of the Dean of the Eastman School of Music.
Zaimont's residency was funded in part through Meet the Composer's MetLife Creative Connections program.
The public is invited to attend these free performances and experience the amazing works by women that are becoming standards in the repertoire or are heard for the very first time. Judith Lang Zaimont will be this year's composer-in residence. Her music, which includes some 100 symphonic, chamber opera, voice, and solo instrumental compositions, is internationally acclaimed for its expressive strength and dynamism. Zaimont also has authored numerous articles and is the editor of the three-volume series The Musical Woman: An International Perspective. Her composition "Housewife," commissioned by Eastman's Hanson Institute for American Music and based on a text by local poet Claudia M. Stanek, will receive its premiere by the Eastman Women's Chorus during a concert of her work at noon on Wednesday, March 25, in the Eastman School's Main Hall. In addition, Zaimont's "Sacred Service for the Sabbath Evening" will be performed by singers from Eastman School and Temple B'rith Kodesh at 7 p.m. Friday, March 27, at the Temple.
The festival features five noontime concerts of works written by women in a broad range of musical styles, with each piece being introduced by a local woman poet reading from her work. Scheduled to appear are poets Donna Marbach, Karla Lynn Merrifield, Wanda Schubmehl, Kathleen Van Schaick, and Andrea Weinstein. The noontime concert on Thursday, March 26, in Eastman's Schmitt Organ Recital Hall will include two silent shorts by German filmmaker Lotte Reiniger, which will be screened to music written for a duet consisting of saxophone and vibraphone. The concert will end in Christ Church (Episcopal) where the work "Pent," written by Eastman composition student Elizabeth Kelly for the Craighead-Saunders organ, will receive its premiere.
Also on Thursday, March 26, pianist Kevin Nitsch and mixed media artist Kathleen Nicastro will present a concert at 3:30 p.m. in the Miller Center Atrium as part of their interactive "Labyrinth of Sound and Light" series. Titled "Water's Edge: 200 Years of Women Composers," the event also features soprano Amy Cochrane and pianist Beverley Smoker. Individuals will be able to wander into the Atrium to listen, watch, and move around the artists to enhance the participatory experience; writing and drawing materials will be available so that audience members can express their own thoughts or impressions.
Besides the performance of Zaimont's "Sacred Service for the Sabbath Evening," events on the evening of Friday, March 27, include a recital by Eastman alumna and flutist Jennifer Oh-Brown and the Chicago New Arts Trio at 7 p.m. at the University of Rochester's Interfaith Chapel.
A complete schedule of events, which are free and open to the public, can be found online at www.esm.rochester.edu/wmf/. In addition, the weekly mini-recitals on the Italian Baroque organ at the Memorial Art Gallery at 1 and 3 p.m. on Sunday, March 22, and Sunday March 29, will be devoted to women composers.
The Eastman School's Women in Music Festival was launched in 2005. Sylvie Beaudette, assistant professor of chamber music and accompanying is the founding director of the festival.The 2009 festival is sponsored by The Hanson Institute for American Music at the Eastman School; the Susan B. Anthony Institute for Gender & Women¹s Studies and the Department of Music in the College of the University of Rochester; the departments of Chamber Music, Composition, Humanities, Piano, Voice, Winds, Brass & Percussion and the Eastman All-Events Committee of the Eastman School of Music; and the Office of the Dean of the Eastman School of Music.
Zaimont's residency was funded in part through Meet the Composer's MetLife Creative Connections program.
Friday, March 06, 2009
Charlie Cote Reading for Just Poets
Poet Charlie Cote will be the featured reader for the Just Poets Reading series and open mic Thursday, March 12 at Barnes & Noble, Pittsford. Join us at 7pm in the Community Room. Just Poets members in good standing may sign up in advance by emailing claudiastanek@gmail.com.
In the late 90s, Charlie Coté was a faithful church attendee but found himself sitting more and more in the doubter’s pew. As weekly sermons were often, shall we say, less than inspiring, he took to doodling phrases scraps of paper. These morphed into the beginnings of early poems. From there, he found the most accomplished, devout agnostic poet he could find to help him complete these heresies. Said poet will remain unnamed but let’s say his name rhymed with bored, appropriately enough. When Charlie gets dry, he can still count on the doubter’s pew to be his triggering town...
Publication credits include: The Cortland Review, Upstreet, Boston Literary Magazine, ByLine, Connecticut River Review, and a recent chapbook, Flying for the Window (Finishing Line Press, 2008), elegies about his son’s illness and death.
Charlie is a clinical social worker in private practice and lives with his wife and two sons in Brighton.
In the late 90s, Charlie Coté was a faithful church attendee but found himself sitting more and more in the doubter’s pew. As weekly sermons were often, shall we say, less than inspiring, he took to doodling phrases scraps of paper. These morphed into the beginnings of early poems. From there, he found the most accomplished, devout agnostic poet he could find to help him complete these heresies. Said poet will remain unnamed but let’s say his name rhymed with bored, appropriately enough. When Charlie gets dry, he can still count on the doubter’s pew to be his triggering town...
Publication credits include: The Cortland Review, Upstreet, Boston Literary Magazine, ByLine, Connecticut River Review, and a recent chapbook, Flying for the Window (Finishing Line Press, 2008), elegies about his son’s illness and death.
Charlie is a clinical social worker in private practice and lives with his wife and two sons in Brighton.
Wednesday, February 11, 2009
A Change of Plans
I am not a believer of circumstance. I was supposed to be attending a mult-journal off-site AWP reading in Chicago this evening. Instead, my flight having been cancelled, I was pleased to attend Rochester native and 2008 Pulitzer prize winner Philip Schultz's reading at the University of Rochester. Schultz, whose work spans his youth growing up here in Living in the Past (Harcourt, 2004) and moves through multi-faceted Failures in his notable book of the same name (Harcourt, 2008) addresses recurring themes related to the imigrant experience and mind-set. His reading immediately connected several audience members to that past time and place so often now only found in foggy memory and vacant lots where the quaint but serviceable homes of families once stood. As the imigrant neighborhoods of his generation are re-shaped, a driving cultural amalgamation of the 20th. century in the United States diminishes and will all but disappear but for the efforts of artists such as Schultz.
Saturday, February 07, 2009
Remembering Faces Reading
Join guest host Donna Marbach (publisher/editor) for a reading by the poets from the anthology Remembering Faces (Palettes & Quills, 2008) sponsored by Just Poets. The reading is at 7:00 pm Thursday, February 12 at Barnes & Noble Pittsford in the Community Room. An open mic will follow. Just Poets members in good standing may sign up in advance via email: claudiastanek@yahoo.com.
Monday, February 02, 2009
Adam Wilcox Discusses the Poetry of Alan Dugan
Adam Wilcox will be discussing the poetry of Alan Dugan at the next Just Poets meeting, Saturday, February 7 at St. John Fisher College.
Adam is the president of WritWilcox, LLC. His poems have appeared in or are forthcoming in Poetry, The Colorado Review, Folio, Cairn, and Blueline, among others. He has been a featured reader for the Genesee Readers Series. For eight years, he wrote the "Gut Instincts" food column for Rochester City Newspaper. H.e plays in two original bands in addition to playing jazz as a volunteer with the ARC of Monroe County. He lives in Rochester, NY with his choreographer wife, Anne Harris Wilcox and their three homeschooled children.
Adam is the president of WritWilcox, LLC. His poems have appeared in or are forthcoming in Poetry, The Colorado Review, Folio, Cairn, and Blueline, among others. He has been a featured reader for the Genesee Readers Series. For eight years, he wrote the "Gut Instincts" food column for Rochester City Newspaper. H.e plays in two original bands in addition to playing jazz as a volunteer with the ARC of Monroe County. He lives in Rochester, NY with his choreographer wife, Anne Harris Wilcox and their three homeschooled children.
Monday, January 05, 2009
Jan Wenk Cedras Reads for Just Poets
Jan Wenk Cedras will be the featured reader for the monthly Just Poets Reading Series and Open Mic at Barnes & Noble Thursday, January 8. The reading, which begins at 7pm, will be in the community room at the Pittsford location. Paulette Schwartzfager will be your emcee for this evening. Just Poets members in good standing may pre-register for the open mic by emailing me at claudiastanek@yahoo.com.
Sunday, December 07, 2008
Wynne McClure to Read
Please join me at Barnes & Noble Pittsford this Thursday, December 11 for this month's Just Poets Reading Series. Poet Wynne McClure will be the featured reader. An open mic will follow the 7 pm reading.
Wynne McClure has written 3 books of poetry: My Lonely Luxury (Foothills, 2008), Torn For Peace (with Paul Bither, Foothills, 2005), and The Hidden Self (Foothills, 2004). Other work has appeared in or is forthcoming in Soundings Review, Tipton Poetry Journal, Hazmat Review, ByLine, Listening to Water: The Susquehanna Watershed Anthology, and Summer Songs as well as elsewhere.
Wynne McClure has written 3 books of poetry: My Lonely Luxury (Foothills, 2008), Torn For Peace (with Paul Bither, Foothills, 2005), and The Hidden Self (Foothills, 2004). Other work has appeared in or is forthcoming in Soundings Review, Tipton Poetry Journal, Hazmat Review, ByLine, Listening to Water: The Susquehanna Watershed Anthology, and Summer Songs as well as elsewhere.
Wednesday, November 12, 2008
Le Mot Juste Reading
Avoid the crowd at the SUNY metro center and join Just Poets at Barnes & Noble Pittsford tomorrow evening at 7pm for a reading from the Just Poets Anthology Le Mot Juste 2008. While we can't beat Ted Kooser's reading, we can entertain with some locally spun poetry. See you in the community room!
Thursday, October 09, 2008
Denise Duhamel's Reading Last Night
How many poetry readings feature a strong, ebullient poet? Denise Duhamel entertained a larger than average crowd at SUNY Brockport's Writers Forum. Duhamel was introduced by SUNY Brockport's Steve Fellner. Fellner's own book, Blind Date with Cavafy, was selected by Duhamel for the 2006 Marsh Hawk Press Poetry Prize. Having heard Fellner read just this past Tuesday evening at the Genesee Reading Series at Writers & Books, I can say it is easy to understand how Duhamel selected Fellner's manuscript. Both poets have a penchant for viewing the familiar in unexpected ways.
Duhamel, whose work is not strictly written for academicians, stood at the podium with confidence and a youthfulness that belied her 47 years. She prefers to open her readings with the lighthearted and humorous to capture her audience and, having their attention, she then feels comfortable addressing more serious issues, like death and loss. Duhamel uses the Barbie doll as a character to ponder the possibility of joining the military, among other humorous explorations. Her work is accessible and employs various forms such as the abcedarian, where in "Our Americano" her use of long lines and slang terminology from the 1950s makes what is old new again to a generation oblivious to that era. She devised another form based on the Mobius strip, where her poem about the struggles of a friend suffering from Alzheimer's may begin and end anywhere on the three dimensional page plainly conveys the how of the poem. One does wonder, though, how such poems incorporating lengthy lines and breathlessness read on the printed page to a voiceless reader.
Duhamel, whose work is not strictly written for academicians, stood at the podium with confidence and a youthfulness that belied her 47 years. She prefers to open her readings with the lighthearted and humorous to capture her audience and, having their attention, she then feels comfortable addressing more serious issues, like death and loss. Duhamel uses the Barbie doll as a character to ponder the possibility of joining the military, among other humorous explorations. Her work is accessible and employs various forms such as the abcedarian, where in "Our Americano" her use of long lines and slang terminology from the 1950s makes what is old new again to a generation oblivious to that era. She devised another form based on the Mobius strip, where her poem about the struggles of a friend suffering from Alzheimer's may begin and end anywhere on the three dimensional page plainly conveys the how of the poem. One does wonder, though, how such poems incorporating lengthy lines and breathlessness read on the printed page to a voiceless reader.
Tuesday, October 07, 2008
Anne Coon Reading Thursday
Poet Anne Coon will be the featured reader for this month's edition of the Just Poets Reading Series Thursday, October 9 at Barnes & Noble, Pittsford. Join us in the Community Room at 7:00 pm. Read Anne's brief bio below:
Anne Coon is the author of four books: Henry James Sat Here (The Old School Press, Bath, UK, 2006); Via del Paradiso (FootHills Publishing, 2006); Daedalus’ Daughter (FootHills Publishing, 2004); and her newest book, co-authored with Marcia Birken, Discovering Patterns in Mathematics and Poetry (Editions Rodopi, Amsterdam, 2008). Her poems appear in several journals. She recently retired after 28 years at RIT and is now writing full-time, working on a novel and a new poetry manuscript.
Anne Coon is the author of four books: Henry James Sat Here (The Old School Press, Bath, UK, 2006); Via del Paradiso (FootHills Publishing, 2006); Daedalus’ Daughter (FootHills Publishing, 2004); and her newest book, co-authored with Marcia Birken, Discovering Patterns in Mathematics and Poetry (Editions Rodopi, Amsterdam, 2008). Her poems appear in several journals. She recently retired after 28 years at RIT and is now writing full-time, working on a novel and a new poetry manuscript.
Friday, September 26, 2008
Jennings / Memmer Reading at W&B
Poets Michael Jennings and Phil Memmer, two very different poets both from the Syracuse area, read to a sparse audience at Writers & Books last night. "Read" took on new meaning as Jennings, dyslexic as a child, recited his poetry while not once consulting the written page. Jennings recited work from his book Silky Thefts (Orchises Press, 2007) which features mostly autobiographical longer poems about his experiences growing up in the middle east and the U.S. Jennings "composes" his poems for the ear rather than writing them, thus making them a more natural fit for recitation.
Memmer, director of the Syracuse equivalent to W&B, the Downtown Writing Center, read from his book Lucifer: A Hagiography forthcoming in 2009. The premise of this book is based on various translations of the word used for the name Lucifer (one of which could be the name for Jesus). Memmer posits both Lucifer and Jesus as God's children though he sees Lucifer as a "typical disaffected child," a rebellious teen rather than devil engaged in war against God. Memmer also read from his more personal collection of poems Sweetheart, Baby, Darling (WordTech Communications, 2004).
Upcoming: William Heyen will be reading Thursday, October 2 at W&B, www.wab.org. Charles Simic will be reading Friday, October 3 at the Downtown Writing Center. For tickets visit: http://www.ymcaarts.org/readings.html.
Memmer, director of the Syracuse equivalent to W&B, the Downtown Writing Center, read from his book Lucifer: A Hagiography forthcoming in 2009. The premise of this book is based on various translations of the word used for the name Lucifer (one of which could be the name for Jesus). Memmer posits both Lucifer and Jesus as God's children though he sees Lucifer as a "typical disaffected child," a rebellious teen rather than devil engaged in war against God. Memmer also read from his more personal collection of poems Sweetheart, Baby, Darling (WordTech Communications, 2004).
Upcoming: William Heyen will be reading Thursday, October 2 at W&B, www.wab.org. Charles Simic will be reading Friday, October 3 at the Downtown Writing Center. For tickets visit: http://www.ymcaarts.org/readings.html.
Monday, September 08, 2008
M.J. Iuppa Reading for Just Poets
Poet and prose writer M.J. Iuppa will be featured Thursday, September 11, 2008 for the next Just Poets reading at Barnes & Noble, Pittsford. Join us at 7:00pm upstairs, in the community room. An open mic will follow.
M.J. is a much beloved figure in the Rochester area literary scene. She teaches at both SUNY Brockport and St. John Fisher College and is involved in bringing creative writing into public schools as well as many community oriented creative writing projects. Her work explores nature--both that of the world around us and that of the world within each of us. Her most recent book of poetry, Night Traveler, was published by Foothills Publishing.
M.J. is a much beloved figure in the Rochester area literary scene. She teaches at both SUNY Brockport and St. John Fisher College and is involved in bringing creative writing into public schools as well as many community oriented creative writing projects. Her work explores nature--both that of the world around us and that of the world within each of us. Her most recent book of poetry, Night Traveler, was published by Foothills Publishing.
Wednesday, August 27, 2008
Poetic Effect Web Site Updated
Poetic Effect is now offering a new service: chapbook and book manuscript submission. Visit www.poeticeffect.com for more information.
Sunday, August 17, 2008
August Occasion
My weekend was spent participating in Writers & Books and the Downtown Writing Center's joint poetry and fiction "August Occasion." The weekend featured four genre specific workshops led by poet Phil Memmer of the Downtown Writing Center, poet and prose writer Steve Huff of Writers & Books, poet Debra Kang Dean and prose writer Jennifer Pashley. The event was held at Writers & Books' Gell Center in Bristol where some of the more outdoor-friendly participants pitched tents while others stayed in the Thoreau cabin and still others chose to rough it at local B & Bs. Donna Marbach and I chose to carpool and commute from our suburban Rochester homes each of the 3 days. Were I to attend this event again, I would probably be less interested in commuting to save more personal energy.
Personally, I appreciated Memmer's critiquing from the perspective of a literary journal editor as well as Dean's careful attention to "how the poem means," the importence of which was ingrained in me by Tim Liu. I came away with interesting input on and direction for the poems I'd brought. The poetry workshop attendees were, with the exception of one, from the Rochester area. In spite of this, I was not familiar with everyone's work which made for a pleasant treat to experience works in progress I would not otherwise have seen.
While this was neither a "Bennington" experience--I think nothing can duplicate an actual Bennington experience--nor a rival of the Palm Beach Poetry Festival, it was a good opportunity to connect with other poets in a different setting and a credit to the western and central New York literary communities.
Personally, I appreciated Memmer's critiquing from the perspective of a literary journal editor as well as Dean's careful attention to "how the poem means," the importence of which was ingrained in me by Tim Liu. I came away with interesting input on and direction for the poems I'd brought. The poetry workshop attendees were, with the exception of one, from the Rochester area. In spite of this, I was not familiar with everyone's work which made for a pleasant treat to experience works in progress I would not otherwise have seen.
While this was neither a "Bennington" experience--I think nothing can duplicate an actual Bennington experience--nor a rival of the Palm Beach Poetry Festival, it was a good opportunity to connect with other poets in a different setting and a credit to the western and central New York literary communities.
Tuesday, August 12, 2008
Jeremy Fernaays to Read Thursday
Williamson resident Jeremy Fernaays will be reading his poetry Thursday, August 14 at the Just Poets Reading Series at Barnes and Noble, Pittsford. Join us at 7 PM in the Community Room. An open mic will follow. Feel free to bring your own work to read. Please remember that Barnes and Noble is a family place when choosing what you will read.
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